

McCleskey revealed a system of demonstrable, documented imba (.) Mumia thus introduces himself as a black man, the son of two African-Americans who had gone “ ‘Up Nawth’-the Northern tier of a Mason-Dixon line that marked the U.S.-Canadian border for some African-Americans” in the footsteps of black workers from Southern States to the North, “ both joined the Great Migration North in search of the fabled land of Equality, Opportunity, and Freedom for all” 4. and William H., two Southern souls, one dimpled, high cheek-boned, the color and aroma of sweet potatoes, the other short, muscular, coffee-colored (sans cream) ” (sic). This account is dedicated to the narrator’s deceased African-American parents, portrayed with both warmth and humour: “To Edith L.

This genre is distinct from the biography genre, in which the narrator and the main character of the story have two separate identities (“an account of a person’s life written or produced by someone else”).Biography can benefit from an enlarged semantic connotation, no longer restrictedtoa“written life of a person” but designating also “a branch of literature dealing with persons’ lives”, and/or “life-course of a living being” (from “L. 2 Concise Oxford Dictionary, 5 th edition, Oxford, Clarendon, 1960.ġOur primary assumption would be that Live from Death Row 1, a narration of daily life in an American death row prison by Mumia Abu-Jamal, a death row prisoner himself, belongs to the autobiography genre, defined by dictionaries as “the biography of a person that is written by that person”.

Addison-Wesley Publishing Company, USA, 1995. 1 Mumia Abu-Jamal, Live from Death Row.
